Greek and Roman textiles and dress : an interdisciplinary anthology (2024)

Related Papers

Greek and Roman Textiles and Dress

Marie-Louise B Nosch

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S. Spantidaki, 2014 “Embellishment techniques of classical Greek textiles”. In M. - L. Nosch (ed.), Interdisciplinary Studies In Textiles And Dress In Antiquity, Oxbow Books, Ancient Textile Series 19, 34-45.

Stella Spantidaki

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Mary Harlow, Marie-Louise B Nosch

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A Companion to the Archaeology of Early Greece and the Mediterranean

Textiles

2019 •

Marie-Louise B Nosch

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Harris, S. Brøns, C. & Żuchowska. M. (eds.) Textiles in Ancient Mediterranean Iconography, Ancient Textiles Series Vol. 38

Abundance and splendour: textiles of Archaic Greek statues of young women (korai)

2022 •

Susanna Harris

The statues of young women in sixth century BCE Greece are remarkable for their elaborate textile clothing. Despite this, the evidence from representations of textiles is frequently dismissed because the clothing portrayed is considered too unreliable and confusing to interpret. This paper seeks to redress this issue by identifying the type, number and quality of textiles represented as garments on these famous statues. It considers the history of research that led to this lack of clarity and assesses the textiles on statues in the light of the archaeological evidence. The results demonstrate the quality and quantity of textiles worn in these outfits and lead to a wider discussion of the significance of these abundant and splendid materials.

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Cloth in Crete and Cyprus

2012 •

Joanna S Smith, iris tzachili

Smith, J. S. and I. Tzachili 2012 “Cloth in Crete and Cyprus,” pp. 141–155 in G. Cadogan, M. Iacovou, J. Whitley, and K. Kopaka eds., Parallel Lives: Ancient Island Societies in Crete and Cyprus. British School at Athens Studies 20. London: British School at Athens.

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The Multiple Functions and Lives of a Textile: the reuse of a garment

Ines Bogensperger

This fragment of a former tunic forms part of the textile collection in the Department of Papyri in the Austrian National Library (Vienna). It was repaired and mended several times before it was used in a burial context in late antique Egypt. The study of this textile in particular allows us to tell its own history starting from its production on the loom until its uses in daily life.

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Unravelling the Tangled Threads of Ancient Embroidery – A Compilation of Written Sources and Archaeologically Preserved Textiles, in: M. Harlow / M.-L. Nosch (eds.), Greek and Roman Textiles and Dress – An Interdisciplinary Anthology, Oxford 2015 (Ancient Textiles Series 19), 207-235.

Kerstin Droß-Krüpe

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Ancient Textile Production from an Interdisciplinary Perspective. Humanitites and Natural Sciences Interwoven for our Understanding of Textiles

Interdisciplinary Contributions to Archaeology

2022 •

Sabine Karg

Chronostratigraphic analysis of plant remains from archaeological sites in the Circum-Alpine region dated between 4300 and 2600 BC prove that plant fibres played an important role in the daily life of prehistoric people. Numerous objects mad of plant fibres are preserved, such as strings, ropes, containers, nets and clothes. Fibre identification shows, that many objects are made of bast from trees. The amount of raw material must have been enormous, and the production process was very labour intensive. In addition, the exploitation of tree bast must have had an impact on the forest composition around the settlements. Experiments with lime bast extraction in a forest on the Danish island of Zealand allow us to calculate the yield of bast and the extrapolation of the human labour that is necessary to harvest and process lime bast. Although only few tools are required for manufacturing objects from plant fibres, we could demonstrate that Neolithic brushes made of thorns from sloe or hawthorn were most probably used for splitting tree bast into fine and regular strips that could then be twisted or even spun into threads. Moreover, we calculated the amount of bast that is needed for the production of two selected Neolithic objects.

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Greek and Roman Textiles and Dress

Burial Threads: A Late Antique Textile and the Iconography of the Virgin Annunciate Spinning

Catherine G I N E S Taylor

This pdf of your paper in Greek and Roman Textiles and Dress belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but beyond that you may not publish it on the World Wide Web until three years from publication (December 2017), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books

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Greek and Roman textiles and dress : an interdisciplinary anthology (2024)

FAQs

What is the difference between Greek and Roman dress? ›

Roman style clothing is very similar to Greek in design and concept. The main difference is that clothing is not pinned, but sewn closed on both sides. Garments feature few patters or decorations. Romans, contrary to common misconceptions, were pretty practical, upright and uptight people.

What short of dresses did the people of ancient Greece and Rome wear? ›

Clothing for both women and men consisted of two main garments—a tunic (either a peplos or chiton) and a cloak (himation). The peplos was simply a large rectangle of heavy fabric, usually wool, folded over along the upper edge so that the overfold (apoptygma) would reach to the waist.

What is the national dress of Greece? ›

Modern period. In the independent Greece, Otto and Amalia were the first to be interested in fashion matters. Amalia created a romantic folksy court dress, which became a national Greek costume still known as the Amalía dress.

How do Greek people dress? ›

Most traditional costumes for women have a simple cotton dress as a base, with a sleeveless wool vest over it. To this, women may add aprons, sashes and, perhaps most importantly, large head scarves. One example of a traditional outfit for women is the karagouna.

What is the biggest differences between Roman and Greek art? ›

In a nutshell, Ancient Greek artists more focus on individualism and idealism, whereas ancient Roman artists more focus on realism and highlighting the spirits of their rulers. In this paper, I will seek for the cultural and artistic characteristics of these two ancient great countries.

What did the Romans dress like? ›

Men wore a knee-length, short-sleeved tunic called a chilton. They would wear a cloak over their tunic which was carefully wrapped around their body. Important Roman men would wear a long robe called a toga made from white wool or linen. Women wore a longer tunic than men which went down to their ankles.

What kind of fabric did they wear in ancient Greece? ›

All ancient Greek clothing was made out of natural fibers. Linen was the most common fabric due to the hot climate which lasted most of the year. On the rare occasion of colder weather, ancient Greeks wore wool. Silk was also used for the production of clothing though for ceremonial purposes by the wealthy.

What were the simple garments worn by Greeks and Romans? ›

The tunic was the basic garment: it could also be used as an undergarment. Instead of a toga, some Roman women wore an ankle-length, pleated dress known as the stola, which could have long sleeves and fastened at the shoulder with the clasp known as a fibula. Such garments were worn over the tunics and under the palla.

What is the history of draping Greek and Romans? ›

The art of draping dates back to 3500 BCE, beginning with the Mesopotamians and Ancient Egyptians. Greek fashion followed with the invention of draped silhouettes like the chiton, peplos, chlamys and himation. The Etruscans and Ancient Romans invented the toga, a length of fabric that wraps and drapes around the body.

What is the dress code in Greece? ›

There is no dress code--anywhere. You set your own style no matter where you are in the world! Unless you will be there on business or going to a special even, there is just nothing to worry about. You are a tourist, so dress the way that will be comfortable for long days of walking and sightseeing.

What is Greece best known for? ›

The country is known as the cradle of Western civilisation. It is the birthplace of democracy, mathematical principles, Western philosophy, Olympic games and many more. Other than this, Greece is famous for its over 2000 islands, Mediterranean climate and physical diversity.

How did the Greek goddesses dress? ›

In Classical Greek art, goddesses are often depicted wearing peploi, the most notable example bring the caryatids on the porch of the Erechtheion on the Acropolis of Athens. The great cloak (himation), worn by both women and men, was a much heavier piece of rectangular cloth, made of linen or wool.

What is the difference between Greek and Roman clothing? ›

But as with architecture and sculpture, the Romans in their dress were more interested in images of grandeur and power as well as comfort and variety than in the Greek ideals of grace and beauty. Thus Roman clothing had the draped lines of the Greeks without their simplicity, subtlety, and beauty.

How to dress like ancient Greek? ›

Three garments were the basis of Classical Greek dress: the khiton (pronounced kite-n), the peplos, an overgarment worn by women, and the chlamys (pronounced klom-iss), a cloak. These three garments were draped and belted to create various styles.

What were the characteristics of Greek clothing? ›

The characteristics of traditional Greek fashion included long, flowing garments made of lightweight materials such as linen or wool. People draped these garments over the body in a manner that allowed for a range of movement and comfort. Both men and women wore tunics that were knee-length or longer.

Is a toga Greek or Roman? ›

The toga was an item of clothing worn by men who were citizens of Rome. The toga consisted of a single length of wool cloth cut in a semicircle and wrapped around the body of the wearer without any fastenings. The Roman toga was a clearly identifiable status symbol.

What are the differences between Greek and Roman culture? ›

Greeks established direct democracy with native-born male participation, focusing on idealized art and human-centric gods, while Romans developed a representative republic evolving into imperial rule, embraced realism in art, and adapted Greek gods to emphasize statehood and discipline.

How is Roman vs Greek style architecture different? ›

Though rigidly adhering to symmetry, the Romans used a variety of spatial forms. Whereas Greek temples were isolated and almost always faced east-west, Roman temples were oriented with respect to other buildings. Roman columns carried arches as well as entablatures, permitting greater spatial freedom.

What is a Greek or Roman robe? ›

To elaborate, the toga was a large and cumbersome sheet of cloth which wealthy Romans wrapped round themselves as a cloak. Under that they wore a tunic like most of the men around the Mediteranean of that time. The Greeks had an equivelent but smaller garment which they called a himation.

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